28 Comments

Wow. Thank you for the talk and the embedded prompt. I immediately wrote a poem that I think I love. I'm calling it, "To a Black-Eyed Susan who Refused the Sun." And I love to write ekphrastic poems, but this one wasn't one of them. So much inspiration - from Icarus to Oranges.

Expand full comment

I am so glad you liked it! Thank you for reading it!! Your title is amazing and this makes me so happy you wrote a poem! Lots of love to you xoxxo

Expand full comment

Love to you! xoxoxo (I'm thrilled to even get to engage with you - your poems have buoyed me over the years. So glad you're here.)

Expand full comment

Thank you that means the world to me!!! Thank you for reading them, too! I hope to write on here more. More love to you xxxx

Expand full comment

RUBENS

Fleshly fanfare, this; though

No trumpets sound, still sway

Painted skirts, circling, spinning.

Cherubs a gallery wall away

Smile. If flesh be grass, then

How verdant these canvas fields!

Luxuriant, the human blades

Undulate. Each sensuously yields

To the wind of song, and

Raw unseen rhythms. No sweeping

Scythe is seen. . . what

Revelry! A whirling vertigo

Of small, guileless sins enticing,

Cajoling. Would a fist-

Full of writhing flesh in

This body-feast be missed?

Not so. For sin and decay fade

Away like anxious ghosts in nocturnal

Haste; while painted memories muse

On things transient, things eternal.

Expand full comment

So gorgeous!!! I love it! Thank you for sharing this wonderful poem!

Expand full comment

I'm honored and thank you!

Expand full comment

Nice work!

Expand full comment

I have quite a few more of my poems on my Substack site, Dana. I read most of them aloud there if you’d like to listen.

Expand full comment

I'll check them out... and thank you! It's lovely to find someone with such a lovely feel for actual poetic composition!

Expand full comment

Many of my poems are free verse but I like writing in more formal styles, too.

Expand full comment

Very beautiful article and your questions made morning coffee much more interesting! I am starting to write and paint again after decades...so, thank you!! Ox

Expand full comment

So exciting!!! Thank you for reading it and sending you good vibes and love xx

Expand full comment

I've long worked back and forth between painting and writing. There is something about the interaction of mediums.... when I hit a block in writing, the flow of color and form from my brush seems somehow to loosen and stir words that were locked in my subconscious mind, prying them loose, scattering them across the page where they refused to manifest before. That could, I suppose make much of my writing ekphrastic, LOL! I never considered it in that light before!

Expand full comment

Love this!!! I have this idea that ekphrastic as a term has been limited and that really the act of writing through anything is a deep conversation that ekphrasis can unleash. Anything in the world is a piece of art for us to write with or against, maybe. Anyway, thanks so much for reading my post!!! Sending you good vibes.

Expand full comment

A lovely, entertaining talk, Dorothea; I wish I had been there. (Highly unlikely given the fact that I live in a small village in Australia). Thankyou!

I also got a great laugh - and a lesson or two - from the Frank O'Hara poem.

My wife is an artist and I write Poetry (mostly). Sometimes - especially when travelling - we collaborate by writing and painting/drawing on the same subject. The two works belong together through that link of shared theme and experience, but they are created in parallel rather than the two works being in direct dialogue with each other. There is also a poem I wrote about watching Meg draw - but I don't think I have ever written directly about one of her art works itself....

So - something new to try!! It may end up on my Substack...

Thankyou again.

Best Wishes - Dave :)

Expand full comment

This is so beautiful! I wish you could have gone, too--it was such a lovely symposium organized by Tiffany Troy about writing in museums and art spaces. And the Queens Museum of Arts, where it was held, is so fantastic! I love hearing about your collaborations with your wife. I hope to read your poems about her work on your Substack someday soon! Thank you again for reading my post! <3

Expand full comment

Thankyou, Dorothea. If we get to NY, the Queens Museum will be on our visit list...

We have travelled fairly extensively in Western areas of your beautiful country - several long road trips through Cal, Nevada, Utah, Arizona, Colorado and Wyoming - mainly visiting wild places (our passion).

Yesterday I wrote and posted this brief piece on the intersection of landscape, art, poetry and love: https://davidkirkby.substack.com/p/a-good-time-in-the-bad-lands

Best Wishes - Dave :)

Expand full comment

This commentary is sufficiently beautiful to illustrate that two art forms (any two, not just the painting and the poem) are seamless in their human effort to convey a complementary reality that science cannot achieve. And by telling a story, which is so much more ancient than language.

I have been fortunate in having five ekphrastic pieces published in the two-plus years I've been writing creatively. In a magical way, the painting is more than a prompt, and if I were a painter the poem would be more, as well.

Expand full comment

Thank you so much!! Congratulations on your publications!! I agree "the painting is more than a prompt." That's so beautiful. I think paintings and poems are portals. To where? I am not sure. Thank you again!

Expand full comment

I've looked often. But never written. I've looked and stitched. Maybe I'll look again and write.

Expand full comment

The stitching is so beautiful, too, and important, I think. Sending you love!!

Expand full comment

Let us all calmly sail on...

Expand full comment

Love to you! xxx

Expand full comment

~~oo~~

Ekphrasiode:

The Origin of the World • Gustave Courbet • 1866

~~oo~~

.

It's what you always wanted

kinda

but looking at it

the senses cool

the legs are spread too wide

left thigh wrenched apart

pubes too dark

Ah yes, Soutine painted meat

Rembrandt too

so this is human flesh

raw detached realism

as Courbet's yoni

meets the butcher's slab

ah yes, but where

are studies of the human toe?

it's the yoni, stupid

always the yoni

no one issued from a toe

in any case

what does she look like?

and isn't love

the origin of the world?

.

~~oo~~

Expand full comment

Thank you for this wonderful word ekphrastic. I totally love Wisława Szymborska’s poem People on a Bridge and didn’t know poems as a reaction to a painting had its own word. Your selection is inspiring. A dance in two mediums.

Expand full comment

I never heard of this and struggle to pronounce the word but I am extremely interested. I would like to try to write a poem of a painting. I might go to the library and look for a book of paintings and give it a try. Thank you for a most interesting article.

Expand full comment

So nice, thanks for posting.

Expand full comment